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Commercial

Bell Canada - Hyperspace

Client

Bell Canada

Studio

The Mill

Role

VFX Artist / Lighting TD

Type

Commercial

When everything's moving fast, traditional lighting cues break down — shadows blur, highlights streak. Volumetric effects carried a lot of the work. Light became a physical presence, not just illumination.

Volumetric lighting and energy tunnel effects · Animated light source choreography · Environment atmosphere and mood

Intent

Hyperspace needed to feel fast and technological without being cold. The concept was about connectivity and speed — data moving at light speed — so the lighting had to convey motion and energy. But it also needed to feel aspirational, like a future you'd want to live in rather than a sterile tech demo.

Challenge

Creating a sense of extreme velocity through lighting alone. When everything's moving fast, traditional lighting cues break down — shadows blur, highlights streak. We needed to sell speed while keeping the image readable and the brand message clear.

Approach

I used animated light sources that moved through the frame, creating the sensation that you're passing through tunnels of energy. Volumetric effects carried a lot of the work — light became a physical presence rather than just illumination. The color palette stayed warm despite the tech subject matter.

Reference

The light-trail sequences in Tron: Legacy, but warmer and more organic. Also some of the data visualization work by Universal Everything — they do this thing where abstract motion feels alive.

Technologies

Volumetric LightingMotion GraphicsPhotorealistic Integration

VFX Artist/Lighting TD: Joseph Ibrahim

Studio: The Mill (NY)

Client: Bell Canada

Type: Commercial

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